Leaving everyone to wonder why it just wasn’t called the D40x Mark II
We are hitting the final stretch before PMA 20008. Today, Nikon USA issued their flood of Press Releases. The headliner for all of you dSLR Dads is the new D60. This is an update (although, a somewhat minor update) to the very popular Nikon D40X. Key features and “upgrades” include:
Same 10.2 megapixel CCD sensor.
Advanced 3-D Color Matrix Metering II with EXPEED image processor.
New dual dust reduction countermeasures.
Eye Sensor that turns the 2.5-inch (that’s right, still 2.5 inches) color LCD monitor on and off automatically. This is the same functionality as Canon Digital Rebel XSI and XTi.
Stop-Motion Movie mode that enables users to create stop-animation movie clips from a series of as many as 100 consecutive JPEG picture files.
Customizable LCD monitor user interface with in-camera editing tools.
Douglas Brown over at the Luminous Landscape has posted a field review of the Olympus Evolt E-3 dSLR (Available at Amazon and B&H Photo):
When you look back at the standout photos you’ve taken in a year most of the major thought process and effort that went into them had very little to do with the technology of photography. Joss Stone starts vamping at a press event, turns and shoots a look over her shoulder that’s pure, delicious trouble, then sticks her tongue out at you, and believe me you aren’t thinking shadow noise, sensor size, or dumping your current system because some other maker’s camera would be able to shoot the images 1 frame per second faster. You’ve got that camera up to your eye, unconsciously moving slightly to keep distracting background elements out of the way, while simultaneously thumbing the focus point over the eyes, firing a burst then zooming in closer for a second one (because closer is always better). You are running on muscle memory.
In too many of these kind of photographic moments the E3 stumbles over itself. Awkward positioning of major controls, buttons that are small or flush with the camera surface making it difficult to positively locate them, (more…)
Pentax has announced the new 10-megapixel Pentax K200D dSLR Camera with Shake Reduction. The K200D replaces the entry-level K100D. New and upgraded features include:
APS-C sized 10-megapixel CCD sensor (12-bit RAW output only)
2.7 inch Live View LCD (230,000 dots and 160° viewing angle)
Improved dust reduction system
weather /dust sealing
IS0 up to 3,200 (but how does ISO 800 look)
11 point Auto Focus system with 9 cross-sensors
SD and SDHC card
Battery consumption reduced by a factor of 8 over the K100D
I have been tracking the progress of RadioPopper since I first heard about them six months ago. Unfortunately, I have not felt like they deserved a mention on dSLR Dad, until now.
RadioPopper is a new stratup company that is on a mission to provide a range of radio flash triggering solutions for dSLR Dads. What you see to the left is a preproduction prototype of the P1 system. The RadioPoppper P1 is a long range, remote trigger radio solution that also transmits the infrared signal.
Attaches externally to your existing flash units
No drilling, modifications, electrical contacts, or cords required
RadioPopper Transmitter “sees” the infrared light signal and relays it by radio signal
RadioPopper Receiver “repeats” the infrared signal for each slave flash
Your flashes no longer require a “line of sight” for proper operation
Put slave flashes anywhere within 500 ft and shoot - they’ll fire every time.
That sounds like a really great product, but it’s way more than what a dSLR Dad needs. What is even more exciting is the RadioPopper Jr. Expected in Mid-2008, the RadioPopper Jr. is their simple, low cost radio triggering solution for standard photo lights. And by low cost, they really mean low cost — just $25 per receiver/transceiver. (more…)
Pro photographer Chase Jarvis has posted a great videos on how to pack your dLSR gear for travel. The following is Chase Jarvis TECH: Packing Photography Gear (Basic):
It runs 10 minutes and is a trimmed version of the Advanced version.You can check out more of Chase on his blog.
This is the kind of ‘review’ I love to bring to you dSLR Dads. Michael Reichmann has posted his detailed insight into the Nikon D3 and Nikon D300 over at the Luminous Landscape. What makes this article completely different and refreshing from all of the others is the focus on how these cameras compare from the Canon perspective. He also makes it perfectly clear that this is not a typical test report with an abundance of side-by-side comparisons at ISO 3200 with 100% crops. That really doesn’t matter. What does matter is how does a photographer use these new tools for photography.
In this essay I look at the new Nikon D3 and D300 though the eyes (mine) of someone who has been shooting with Canon cameras for the past 8 years. Prior to 1999 I used Nikons, shoot film, and used them to make a living in photography for some 30 years. I also used (and still do) Hasselblads and Leicas, and as a magazine reviewer have probably tested and shot with almost every major camera system available since the mid-1960’s. But for several decades prior to the advent of digital, Nikons were my 35mm tool of choice….. (more…)
I have updated the main page of the dSLR Dad Amazon Store to list the top twenty items that you dSLR Dad’s have voted for to finish off 2007. That vote of course being with what is most important, your own wallets. On the first ten products listed on the storefront, there are the top-five books.