dSLR Dad

Digital Photography Review has published their odyssey on the Nikon D90 dSLR Camera:

Almost exactly two years after the D80 was announced comes its replacement, the rather predictably named D90. The D80 has been one of Nikon’s quiet successes, and even today, despite being positively Methuselah-like in digital camera terms it continues to sell and often makes its way into our top 10 most clicked on cameras. Because it looks so similar to the D80 the D90 appears at first glance to be one of those rather subdued incremental upgrades, but dig a little deeper and you’ll find there’s plenty to keep Nikon fans happy.

You can read all 37 web pages over at dPreview.  As always, you can find out more about the Nikon D90 in the dSLR Dad Resource Guide.

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Photozone has released another in-depth lens test. This time, they are focusing closely on Sony’s Macro Alpha Lens, the 100mm f/2.8 Macro (available now at Amazon and B&H Photo).

The Sony 100mm f/2.8 macro is able to produce very sharp results combined with a negligible amount of distortions, vignetting and lateral CAs. However, longitudinal (axial) chromatic aberrations can be quite a problem in out-focus areas (f/2.8-f/5.6) resulting in a magenta to greenish tint in some situations - this is not unusual but unfortunate nonetheless. The build quality of the lens is fine although it doesn’t win any crown when looking towards the competition a la Micro-Nikkor 105mm f/2.8G ED-IF AF-S VR or the Canon EF 100mm f/2.8 Macro. Same goes for the AF speed which does still rely on the slotted drive screw rather than Sony’s faster SSM (ultrasonic AF drive). The biggest problem of the Sony 100mm f/2.8 macro is probably its price tag - at around 600US$ it is substantially more expensive than the third-party alternatives without offering much if anything on top.

Regarding the third party alternatives referenced above. For around $200 less, a Sony dSLR Dad looking for value should check out the Sigma 105mm f/2.8 EX DG Macro Lens. You can read the entire review over at Photozone here.

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Popular Photography Magazine has published their review of the 14.6MP CMOS Pentax K20D (available at Amazon and B & H Photo). Amazon is estimating that this item will be released on May 5, 2008.

The 10.2MP Pentax K10D was a DSLR bargain in 2007 with its nearly pro body, excellent image quality, fast AF, image stabilization, and a price of only $920 (body only) when launched. It’s still a steal at $700 (street). But if you want a camera with higher resolution, larger LCD, live view, and other enhancements, check out the new 14.6MP Pentax K20D ($1,299, estimated street).

At first, the Pentax K20D seems to be a twin to the K10D. Pentax kept what was outstanding in the K10D and improved it in all the right places, so the K20D is more of an upgrade than a new design. We got our hands on one of the first production units, and after running it through the Pop Photo Lab and field tests, found five reasons why this camera promises to be a big hit.

Click to read the entire Camera Test Pentax K20D - - PopPhotoMarch 2008

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Hi everyone. I just wanted to let that the Nikon D300 Review Page has been updated.  You can check it out here.

Also, with all of the new camera announcements that have come out this week, check back often to the dSLR Gear page to see what’s new for 2008.

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I just wanted everyone to know that I have updated a few things on The Media Shelf page. Most notably to you regular dSLR Dads is a brief review of From Camera To Print - A Fine Art Printing Video Tutorial by The Luminous Landscape and Scott Kelby’s 7-Point System for Adobe Photoshop CS3. I’ll be working on more in-depth reviews of those products at a later date.

For those of you who are new to dSLR Dad (and judging by the incoming StumbleUpon links there are quite a number of you), I have set up The Media Shelf to be a collection of books, video, and all things media that will be of great resource for the dSLR Dad.

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This is for all of you wide angle dSLR Dads. Photozone has just reviewed Nikon’s brand new full frame, 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens (available at Amazon, and B&H Photo). And it seems like Photozone (which is a great site by the way) liked it:

The Nikkor 14-24mm f/2.8G ED N is a phenomenal lens. It is the sharpest ultra-wide angle lens tested to date. The resolution figures are simply stunning and unprecedented (more…)

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Tags: 14-24mm f/2.8G ED AF-S, AF-S lens, full frame, lens test, nikkor, Nikkor lens, nikon, Nikon lens, review, SLR lens, super wide angle, wide angle

Douglas Brown over at the Luminous Landscape has posted a field review of the Olympus Evolt E-3 dSLR (Available at Amazon and B&H Photo):

When you look back at the standout photos you’ve taken in a year most of the major thought process and effort that went into them had very little to do with the technology of photography. Joss Stone starts vamping at a press event, turns and shoots a look over her shoulder that’s pure, delicious trouble, then sticks her tongue out at you, and believe me you aren’t thinking shadow noise, sensor size, or dumping your current system because some other maker’s camera would be able to shoot the images 1 frame per second faster. You’ve got that camera up to your eye, unconsciously moving slightly to keep distracting background elements out of the way, while simultaneously thumbing the focus point over the eyes, firing a burst then zooming in closer for a second one (because closer is always better). You are running on muscle memory.

In too many of these kind of photographic moments the E3 stumbles over itself. Awkward positioning of major controls, buttons that are small or flush with the camera surface making it difficult to positively locate them, (more…)

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Tags: Digital Photography, Evolt, feature, Luminous Landscape, Olympus, Olympus dSLR, Olympus E 3, Olympus E3, Olympus SLR, report, review, SLR

Well, that didn’t take long (just over an hour). Sony of America has just announced the A200 at CES 2008. I still stand by my previous post in regards to competitiveness. It will come in two kit versions:

DSLR-A200K ($700): body with a Sony DT 18-70mm f/3.5-5.6 ED Zoom Lens

DSLR-A200W ($900): body, Sony DT 18-70mm f/3.5-5.6, and a 75-300mm f4.5-5.6 lens.

Both models ship in February. (more…)

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This is pretty typical of the Pre-PMA scoops. Thanks to Newsdesk in Sweden, we have another early press release from Europe. My Swedish is a little rusty, but it looks like the 10.2 MegaPixel Sony A200 is a very minor model update from the A100. Notable upgrades are as follows:

• Screen size increases from 2.5 to 2.7 inches. My guess is that a 3″ screen could not be placed into the same chassis, too bad.
• ISO100 - 3200 equivalent. That’s fine, but hopefully the image quality from ISO 200 to 800 was improved.
• All 9-points in the Autofocus system are now cross-type. This helps improve motion tracking. Not sure if any are f/2.8.
• Burst Capability is still 3fps with a disappointing 6 shot RAW buffer.
• All dials are now black. Chrome is so 2007.

I hope I’m missing something here, because it looks like the only real upgrades are cosmetic. This may be a problem for Sony as both the Nikon D40X and Canon Digital Rebel XTi should be upgraded at PMA2008. This could place the A200 further behind in this market segment, which is disappointing for all of you Minolta dSLR Dads. (more…)

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This is the kind of ‘review’ I love to bring to you dSLR Dads. Michael Reichmann has posted his detailed insight into the Nikon D3 and Nikon D300 over at the Luminous Landscape. What makes this article completely different and refreshing from all of the others is the focus on how these cameras compare from the Canon perspective. He also makes it perfectly clear that this is not a typical test report with an abundance of side-by-side comparisons at ISO 3200 with 100% crops. That really doesn’t matter. What does matter is how does a photographer use these new tools for photography.

In this essay I look at the new Nikon D3 and D300 though the eyes (mine) of someone who has been shooting with Canon cameras for the past 8 years. Prior to 1999 I used Nikons, shoot film, and used them to make a living in photography for some 30 years. I also used (and still do) Hasselblads and Leicas, and as a magazine reviewer have probably tested and shot with almost every major camera system available since the mid-1960’s. But for several decades prior to the advent of digital, Nikons were my 35mm tool of choice….. (more…)

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Tags: camera features, canon, Canon 1D, Canon 1Ds, Canon EOS 5D, Canon vs Nkon, comparison, Luminous Landscape, Michael Reichmann, nikon, Nikon D3, Nikon D300, review, SLR

Lawrence Ripsher has posted a review of the Canon EOS 1D Mark III (Amazon, B&H Photo) on his Photo Journal Blog.

I’ve been the owner of a 1D Mk3 since early December 2007 and this review comes about a month in after many thousands of actuations. For those of you who are not familiar with my background, I have shot Canon for some time now (having transitioned over from Nikon) and shoot a variety of subjects including sports, portraiture, street and what I call narrative photography. For examples of my work, you can click on the galleries to the left (or simply follow this review).

The Canon EOS 1D Mark III has had quite a ride. Released as part of Canon’s 20 year EOS anniversary strategy it was both highly anticipated and widely applauded when it was announced. From the outset it has arguably generated more noise (of the vocal kind) than any other camera in the market today, with the possibly exception of the Nikon D3. Leading the emotionally charged opinions on the camera have been photographers from all walks - some highly respected professionals, some skilled amateurs, some hopeful hobbyists and typically, an even greater number of users who have never touched this particular camera. The 1D has been heralded as everything – from the greatest sports and photojournalism camera in the world today, to a huge disappoint and failure. Even in the already emotional and divided world of camera equipment forums, the Canon 1D Mark III has shown an extreme example of split opinion. (more…)

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Tags: 1D Mark III, AF Servo, auto focus, camera body, camera review, Canon 1D, canon camera, Canon dSLR, canon review, comparison, EOS, L lens, review, SLR

Canon announced their new EF-S 55-250mm f/4-5.6 IS lens back on August 20, 2007 along with new EF-S 18-55mm f/3.5-5.6 IS Lens (Amazon, B&H Photo). It is not yet shipping, but Klaus Schroiff over at PhotoZone.de has already picked up a sample for review.<

Technically the Canon EF-S 55-250mm f/4-5.6 IS is a tiny lens with a great performance potential. The resolution is very good across the range. Chromatic aberrations are basically a non-issue. The level of distortions remain moderate. The most obvious flaw is, unsurprisingly, vignetting at large apertures. The build quality is fine for a lens in this class and it is one step up from the EF-S 18-55mm f/3.5-5.6 IS that we’ve seen here recently. Regarding the target market you may surely forgive the plastic mount. The AF (micro-) motor is pretty fast and silent. So’s everything cool here ? Well, the AF accuracy didn’t really convince in the field - specifically at the wide-end of the zoom range - but to be fair this is much better on an EOS 40D (e.g.) with its improved AF capabilities. I had some trouble with the image stabilizer in the field but according to early reader feedback this impression seems to be an exception to the rule. If so the EF-S 55-250mm f/4-5.6 IS has certainly the potential to be another hot seller.

You can read the full review here.

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Bjørn Rørslett,Professional Nature Photographer, PhD. Member of NN (Norwegian Nature Photographers) and BioFoto (Association of Nature Photographers in Norway) has just posted his review of the Nikon D3 (order one at Amazon and B&H Photo).

Every one waited for Nikon to move up to the next level of digital sensor size, the “full-sized” FX or 35mm-like solution. Years went by and seemingly nothing happened. We admired Nikon’s clever ergonomic solutions and at least some of us ogled the high-ISO performance of the competition with a little envy. Then, Nikon struck back with a camera advertised to “defy the limitations” no less.

The D3 is not only a 35mm-frame camera, it is so much more and with high-ISO performance unheard and undreamt of as well. With a blazing firing rate up to 9 fps(FX)/11 fps(DX), this is a sports and action shooter’s dream camera come true. But what can it achieve for other fields of photography? In this review, I shall try to elaborate these aspects of this new Nikon DSLR. Consider this more akind to a personal travelogue written as I made myself familar with the D3 rather than a compilation of features….. (more…)

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Tags: APS-C, camera, camera body, comparison, D2X, D3, full frame, ISO, ISO1600, low noise, nikon, photo, photograph, review

Nikon’s been getting a lot of the press recently, but Canon has new cameras too. The new 40D was announced the same time, but has been shipping since early fall. With that, I present you dSLR Dad’s with all the information you need to justify spending more money. (more…)

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The Nikon D300 dSLR has been out in the wild for some time (shipping now at Amazon). For all you dSLR Dad’s out there who are looking for one more bit of information to justify that purchase, here you go: (more…)

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