Nikon Corporation has finally released their Full-frame, big megapixel monster. The 24.5-Megapixel Nikon D3x is aimed squarely at professional landscape and portrait photographers, or dSLR Dads who happen to have a few initials after their names. For just $7,999.95, you too can capture 138-MegaByte images of your little rug rats frolicking about the meadow with Nikon’s flagship dSLR. Some of the many nitty-gritty details include: (more…)
Does the D700 obviate the more expensive D3? Not for high-end pros: Hardcore types who find themselves shooting in the Arctic one month and the desert the next will prefer the D3’s extraordinarily tight level of weathersealing. For paparazzi, who shoot lots of vertical images and so prefer a built-in vertical grip to a bolt-on battery grip, the D3’s better. And pro sports shooters blasting off frame after frame need the faster native burst and extra CF card slot of the D3.
Meanwhile, the rest of us will be more than happy with the D700 fulfilling our full-frame fantasies.
Of course, if all your Lenses carry the DX moniker of Nikon’s APS-sized format, you should stick with the D300. After all, it basically mirrors the image quality and performance of the D700, and your DX Lenses will yield only 5.1MP images on the Nikon D700. In other words, those digital-only lenses will fit this full-frame camera, but at a cost of massive cropping — a sacrifice that hardly seems worth making on a regular basis.
But if you have some full-frame lenses or want to move toward Nikon’s FX glass, the D700 is money well spent.
Nikon has unveiled a few new lenses for PMA 2008. Their final introduction is the new PC-E NIKKOR 24mm f/3.5D ED, PC (Perspective Control) lens.This lens employs a tilt/shift mechanism that allows you to manipulate image perspective,distortion, and focus in camera. This lens is perfect for the Landscape and Architecture dSLR Dad.
PC-E NIKKOR 24mm f/3.5D ED Major Features
Wide shifting and tilting range (shift: ±11.5 mm; tilt: ±8.5°)
±90° lens revolving capability for versatile tilt/shift effects
Maximum reproduction ratio of 1/2.7 (at 0.21 m/0.7 ft.)
Three ED (Extra-low Dispersion) glass elements for superior sharpness and color correction by effectively minimizing chromatic aberration
Three aspherical lens elements minimize various types of lens aberration
Nano Crystal Coat virtually eliminates internal lens element reflections, effectively reducing ghosting and flare
High-performance Nikon Super Integrated Coating delivers superior color reproduction while substantially reducing ghosting and flare
Rounded 9-blade diaphragm for more natural appearance of out-of-focus image elements
Lens aperture can be preset by using aperture ring and aperture stop-down button
With the Nikon D3 and D300, auto aperture control with electromagnetic diaphragm is possible
Nikon has unveiled a few new lenses for PMA 2008. The second is their new AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR lens. This is a great focal length for any dSLR Dad. Of particular note is the 16mm wide angle, which makes for a very nice 24mm full frame equivalent. The inclusion of Vibration Reduction II image stabilization claims a 4 stop benefit in slower shutter speeds. The rounded 7-blade aperture should also help to blur out-of-focus background elements. All-in-all, this looks like a very solid offering from Nikon.
AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR Major Features(more…)
Leaving everyone to wonder why it just wasn’t called the D40x Mark II
We are hitting the final stretch before PMA 20008. Today, Nikon USA issued their flood of Press Releases. The headliner for all of you dSLR Dads is the new D60. This is an update (although, a somewhat minor update) to the very popular Nikon D40X. Key features and “upgrades” include:
Same 10.2 megapixel CCD sensor.
Advanced 3-D Color Matrix Metering II with EXPEED image processor.
New dual dust reduction countermeasures.
Eye Sensor that turns the 2.5-inch (that’s right, still 2.5 inches) color LCD monitor on and off automatically. This is the same functionality as Canon Digital Rebel XSI and XTi.
Stop-Motion Movie mode that enables users to create stop-animation movie clips from a series of as many as 100 consecutive JPEG picture files.
Customizable LCD monitor user interface with in-camera editing tools.
Nikon has unveiled a few new lenses for PMA 2008. The first is their new 60mm AF-S Micro(Macro or close-up for all of you non-Nikon dSLR Dads) lens. This is an interesting market reponse to Canon’s excellent EF-S 60mm f/2.8 Macro USM dSLR-only Lens, since it can be used on both full frame and APS-C sized dSLR cameras.
The following is an unedited press release: (more…)
This is for all of you wide angle dSLR Dads. Photozone has just reviewed Nikon’s brand new full frame, 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens (available at Amazon, and B&H Photo). And it seems like Photozone (which is a great site by the way) liked it:
The Nikkor 14-24mm f/2.8G ED N is a phenomenal lens. It is the sharpest ultra-wide angle lens tested to date. The resolution figures are simply stunning and unprecedented (more…)
This is the kind of ‘review’ I love to bring to you dSLR Dads. Michael Reichmann has posted his detailed insight into the Nikon D3 and Nikon D300 over at the Luminous Landscape. What makes this article completely different and refreshing from all of the others is the focus on how these cameras compare from the Canon perspective. He also makes it perfectly clear that this is not a typical test report with an abundance of side-by-side comparisons at ISO 3200 with 100% crops. That really doesn’t matter. What does matter is how does a photographer use these new tools for photography.
In this essay I look at the new Nikon D3 and D300 though the eyes (mine) of someone who has been shooting with Canon cameras for the past 8 years. Prior to 1999 I used Nikons, shoot film, and used them to make a living in photography for some 30 years. I also used (and still do) Hasselblads and Leicas, and as a magazine reviewer have probably tested and shot with almost every major camera system available since the mid-1960’s. But for several decades prior to the advent of digital, Nikons were my 35mm tool of choice….. (more…)
Bjørn Rørslett,Professional Nature Photographer, PhD. Member of NN (Norwegian Nature Photographers) and BioFoto (Association of Nature Photographers in Norway) has just posted his review of the Nikon D3 (order one at Amazon and B&H Photo).
Every one waited for Nikon to move up to the next level of digital sensor size, the “full-sized” FX or 35mm-like solution. Years went by and seemingly nothing happened. We admired Nikon’s clever ergonomic solutions and at least some of us ogled the high-ISO performance of the competition with a little envy. Then, Nikon struck back with a camera advertised to “defy the limitations” no less.
The D3 is not only a 35mm-frame camera, it is so much more and with high-ISO performance unheard and undreamt of as well. With a blazing firing rate up to 9 fps(FX)/11 fps(DX), this is a sports and action shooter’s dream camera come true. But what can it achieve for other fields of photography? In this review, I shall try to elaborate these aspects of this new Nikon DSLR. Consider this more akind to a personal travelogue written as I made myself familar with the D3 rather than a compilation of features….. (more…)
It was out for a while, but Nikon’s new D300 with the Nikkor 18-200mm f/3.5-5.6 G ED-IF AF-S VR DX Zoom Lens is now back in stock at Amazon as a kit. A note of caution to you potential D300 dSLR Dads: the price seems to fluctuate wildly on this one (no matter where you shop). In fact, it has stayed at the expected street price of $1800 only briefly during the past month. Before you buy, make sure that the kit price is cheaper than buying the lens. (more…)
High Dynamic Range Imaging for Photographers and CG Artists
For you dSLR Dad’s looking for a new avenue to try in photography, may I suggest High Dynamic Range Imaging (HDRI). HDRI is the process of combining photographs at different exposures (typically bracketed at +/- 2 stops). This allows you to keep proper detail in those tricky situations where you have a bright sky (the ‘blinkies’ on your LCD screen) mixed with objects that have shadow detail. One book that looks really promising (after my in-store review) is The HDRI Handbook: High Dynamic Range Imaging for Photographers and CG Artists by Christian Bloch. (more…)
is aimed squarely at professional landscape and portrait photographers, or dSLR Dads who happen to have a few initials after their names. For just $7,999.95, you too can capture 138-MegaByte images of your little rug rats frolicking about the meadow with Nikon’s flagship dSLR. Some of the many nitty-gritty details include: 
. Oddly enough, they really liked it:
obviate the more 
? Not for high-end pros: Hardcore types who find themselves shooting in the Arctic one month and the desert the next will prefer the 
. After all, it basically mirrors the image quality and performance of the 
. Key features and “upgrades” include:
and 
.
functionality, enabling the convenient wireless transfer of images from the D60 to a computer, when using 
, since it can be used on both full frame and APS-C sized dSLR cameras.
perspective. He also makes it perfectly clear that this is not a typical test report with an abundance of side-by-side comparisons at ISO 3200 with 100% crops. That really doesn’t matter. What does matter is how does a photographer use these new tools for photography.
Bjørn Rørslett,Professional Nature Photographer, PhD. Member of NN (Norwegian Nature Photographers) and BioFoto (Association of Nature Photographers in Norway) has just posted his review of the Nikon D3 (order one at 
is now back in stock at Amazon as a kit. A note of caution to you potential D300 dSLR Dads: the price seems to fluctuate wildly on this one (no matter where you shop). In fact, it has stayed at the expected street price of $1800 only briefly during the past month. Before you buy, make sure that the kit price is cheaper than buying the lens. 
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